How to be afraid of even discussing, let alone, criticizing the content of a magician's work, in Dune. The writer and director David Lynch's Dune is a potential candidate for the ultimate list of films that remains to be desired. I don't know how to describe the film. Let's just talk about the result, then.... Continue Reading →

Cloudy With A Chance Of Meatballs 2

How to fall under the norms of the genre and the tone of the film, in Cloudy With A Chance Of Meatballs 2. They are trying way too hard to make us laugh. Jokes are forceful, punches are pulled unnecessarily and physical comedy is dragged too much, overstaying its welcome and milking, I don’t know... Continue Reading →

Shaun Of The Dead

How to know of the range of your genre and script, in Edgar Wright and Simon Pegg's Shaun Of The Dead. I have seen both of them talk about the writing process of their trilogy, especially about Shaun Of The Dead in detail. Their structure is more pronounced and is easy to adapt and relate.... Continue Reading →

Diary Of A Country Priest

How to or maybe why to suffer for a good cause, in Diary Of A Country Priest. Before I start, let me confess that this is not a film that I can fully comprehend. There are notions, statements and scenes where the makers are saying something out loud, but I am too dumb or deaf... Continue Reading →

Stranger Than Fiction

How to improve your script by convincing the audience that there is no other way this could’ve spiraled out, in Stranger Than Fiction. I wonder if non-writers find this film equally intriguing as we do. I wonder if they understand “writer’s block” something that Emma Thompson’s character suffers from, for the most part of the... Continue Reading →

Shrek Universe

How to promote as you're against the stereotypical agenda and fuel your film with that very agenda, in Shrek Universe. The Shrek Universe suffers from a very common disease. It’s cookiness, uniqueness fades away very quickly and what’s left at the end of the day is the very thing they’ve been running away from. Maybe,... Continue Reading →

Only You

How to follow all the conventions of the genres but spread them on an unconventional base, structure of the world, in Only You. So this is why I am drawn towards the simpleton romantic comedies of older times. This is why I hope everyone is in love with those rainy Saturday evening flicks that oozes... Continue Reading →

Black Narcissus

How to be sporty with a non-friendly attitude in a serious environment, sensitive platform and a vital topic, in Black Narcissus. What's the obsession over the faces? That’s the only question I have from the director Michael Powell and Emeric Pressburger’s Black Narcissus. Yes, it is commendable considering it has brilliant performance at the center... Continue Reading →

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