Spy Game

A Bit Louder Than Anticipated.

Scott’s game among spies is more thrilling as a desk job than it is on field. Split into two bits, the Redford part undeniably steals the show with a large margin, whilst Pitt’s sequences, no matter how hungry for blazing guns or breathtaking chase sequences or big explosions, feels like empty punches. The dull execution is to be blamed along with a cheesy script that has managed to snatch in every good trick from such genre films; and it is people-pleasing, but there is not an inch of art in this commercial cinema. With cheap camera work that notions its existence of a B grade quality with A grade cast, that are totally misused.

Aforementioned, the ticking clock behind Redford and his tactics that never fails to surprise us along with his every posture on the narration, the writers have chiseled him in every step to be an impenetrable stature that is both easily absorbing and lethal, he lives up to his game. The performance of Redford is quite convincing, if not anything extraordinary, his body language and eye does up the ante along with his sarcastic arguments that has a way out of every door. Pitt, on the other hand, has all the physical work to do, in fact, he never shines on screen on his own merit, not only on performance but in character as well.

He barely supports Redford, he is often manipulated, he is a hot head with no character development that comes off as a pawn staged to ooze sexiness on screen; even though Redford overcomes that limitation, a Porsche does boost him though. Spy Game has petty rules that is equally entertaining as it is incongruent, even its last aspect of getting two stars on screen with an incredible chemistry fails poorly; the sunglasses won’t be enough.

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