chillingly beautiful to the core..

4 And A Half Out Of 5

Amour is a character driven feature about an old couple that goes through their last phase of the unbroken love when a tragic incident leaves them by shook.

The construction of the world depicted in here is so mesmerizing that despite of being restrained within four walls; literally, it is thoroughly busy and competent. Despite of having such bold moves on the chess board, none of them seems to have broken any sort of rule; the audience is never left cheated which often happens whilst leaping few turns.

The chemistry is without any doubt, some of the best that the cinema had to offer to the audience and not due to its soothing tone and sweetness involved in it but its three dimensional perspective towards each little things.

The writing is genuinely moving, emotionally manipulative and adaptive which leaves the audience in an awe of it; the metaphorical pigeon will haunt you even after the curtain drops. It is rich on technical aspects like the d.o.p., camera work and detailed production design.

Smarter sound designing, alluring background score and the ingenious structure of the script are the high points of the feature. Haneke; the screenwriter-director, is in his A game where his script does meet its brilliant execution skills which is rare and exquisite.

But in the end, it’s all about the act, it’s all performance, and boy what an act they have staged. Riva and Trintignant are; similar to their characters, dependent on each other flaunting their behemoth talent on screen that can make viewers’ eyes pop out.

Amour is chillingly beautiful to the core and not for its knack of drawing out the emotions from the audience but for its loudness that it demands to be seek upon.

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